Linocut printing is a traditional printmaking technique that has been practised for more than a century, and it’s a craft I’m proud to continue in my own work. Much of my inspiration comes from the natural world—particularly the flowers, plants and seasonal details I notice while walking my dog through the countryside. These quiet moments often spark an idea, which I develop into a line drawing and then transfer onto a linoleum block before carving the design entirely by hand. Using precise cutting tools, I gradually remove the sections that won’t hold ink, leaving the raised surfaces that form the final printed image.

Once the carving is complete, I ink the block and press it onto paper, either using a small press or printing completely by hand. Because each piece is printed individually, subtle variations in ink, pressure and texture naturally appear, and I see these differences as an integral part of the work. They reflect the authenticity of the process and the tactile, thoughtful nature of craftsmanship. For me, these unique imperfections serve as a reminder of the value and joy found in truly handmade art.